Art Collection

Created by Mary Crock

Meet the artist

Mary Crock

Mary Crock studied art at high school and art history at the University of Melbourne between 1977 and 1980.  She has otherwise had no formal training as an artist.  Although her interest in portraiture extends back many years, it was not until 2011 that she decided to try her hand (again) at some serious painting.  The break of almost 25 years is explained (but not excused) by the fact that she married a man who is blind – and so could not share this artistic medium with her.  Mary’s husband, Ron McCallum AO, was the subject of her first piece accepted for exhibition in the Portia Geach Award in 2011.  A portrait of Fr Arthur Bridge AM was hung in 2012.  In 2017 she had a piece selected for the Just Art exhibition and award.  It is entitled ‘The Big Issue’ and depicts a homeless man in front of the statue of Queen Victoria in Queen’s Square, Sydney. The Little Walla artworks are the most ambitious collection of paintings she has ever done.

Mary is otherwise better known as a lawyer, teacher and author.  She is Professor of Public Law at Sydney Law School, University of Sydney.  An Accredited Specialist in Immigration Law, she is the author of 16 books and reports on immigration and refugee law and numerous chapters and articles.  She has been a member of the Expert Advisory Committee for the NSW Commission for Children and Young Persons since 2008.  With broad interests in human rights, she has served in executive positions for the Law Council of Australia and the Refugee Council of Australia; and worked as adviser to the Australian Senate and as consultant to the Human Rights and Equal Opportunity Commission (on immigration detention)..

The Collection

A little background on the Little Walla story

The artworks in this collection were created during the years of drought and fires that preceded the COVID19 pandemic and its lockdowns.  Each painting was done on either ‘found surfaces’ such as discarded panelling or canvasses created with hessian and home-made gesso (to build up a painting surface). 

The Little Walla project also began a personal resilience project as the book and paintings were created while the author and illustrator (Mary) was on leave recovering from treatment for breast cancer. That part is happily ancient history.

The different paintings were framed over time - using strictly recycled materials. 

The larger paintings are framed using aged hardwood timber milled and used for an ancient farm shed somewhere near Foster NSW. (See ‘Our Team’ for further details)

 Smaller works are framed using offcuts from a kitchen joinery business that include sample drawer-ends, doors and highly elaborate laminates.  Everything is ‘used’, aged and frequently distressed material.  The idea was to tell the story of surviving disaster using items that were re-cycled, re-claimed and or sustainably created. 

 The paintings are presented roughly in chronological order of their creation, although with some attempt to make the ordering relevant to the order of the story in the Little Walla  books!

Phasco & Walla

2017

Acrylic on stretched and prepared hessian; framed by Michel Spini

Aquilla and Cocky

2017

Acrylic on stretched and prepared hessian; framed by Michel Spini

Bush pastorale

2018

Acrylic on stretched and prepared hessian; framed by Michel Spini

True Roo

2020

Acrylic on canvas, framed by Mario Tripolini

Blue Jumper

2021

Acrylic on canvas, framed by Mario Tripolini

Rainbow Lorikeets

2016/2017
Acrylic on stretched and prepared hessian; framed by  Mario Tripolini

Vomba & Tachi

2017

Acrylic on stretched and prepared hessian; framed by Michel Spini

The Beach

2018

Acrylic on stretched and prepared hessian; framed by Michel Spini

Pelle & The Birds

2017

Acrylic on stretched and prepared hessian; framed by Michel Spini

Mama Roo is Back!

2020

Acrylic on canvas, framed by Mario Tripolini

The Inferno

2018

Acrylic on stretched and prepared hessian; framed by  Mario Tripolini

Varan the goanna

2016

Acrylic on stretched and prepared hessian; framed by Michel Spini

The Dogs

2020
Acrylic on stretched and prepared hessian; framed by Michel Spini

Lockdown kangaroo

2020
Acrylic on canvas, framed by Mario Tripolini

The Glade

2020
Acrylic on canvas, framed by Mario Tripolini

Bushfire Sun Spot

2020

Acrylic on canvas, framed by Mario Tripolini, backlit with LED strips

Daddy Emu and his chicks

2018

Acrylic on stretched and prepared hessian; framed by Michel Spini

Smoke

2020

Acrylic on canvas, framed by Mario Tripolini

In the Pouch

2020

Acrylic on canvas, framed by Mario Tripolini

Silhouette

2021

Acrylic on canvas, framed by Mario Tripolini

Glow

2021
Acrylic on canvas, framed by Mario Tripolini

Mama Roo

2020

Acrylic on canvas, framed by Mario Tripolini

Sleepy Koalas, Walla’s Mob

2019
Acrylic on stretched and prepared hessian; framed by Michel Spini

Available for silent auction soon!
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Little Walla

2021
Acrylic on board, framed by Mario Tripolini

The flood

2022
Acrylic on canvas, framed by Mario Tripolini

Let's Connect!

Art is meant to spark conversation. If a piece has caught your eye or you’d like to know more about our artists and exhibitions, we invite you to reach out. Our team is here to guide you through any enquiry, large or small.
— Miz Crakil Publishing Team